Publications

(2022). Birmingham and the International Business of Live Music in Times of COVID-19. Journal of World Popular Music, Equinox.

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(2022). Brexit and the UK Live Music Industry. The Bloomsbury Handbook of Popular Music Policy.

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(2021). Crisis as a Catalyst for Change - COVID19, Spatiality and the UK Live Music Industry. The IASPM Journal.

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(2021). The Harkive Project - Computational Analysis and Popular Music Reception. Music by Numbers The Use and Abuse of Statistics in the Music Industry.

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(2021). Measuring the values of live music - methods, models and motivations. Arts and The Market.

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(2021). COVID-19 and the UK Live Music Industry - A Crisis of Spatial Materiality. The Journal of Media Art Study and Theory.

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(2020). Popular Music Reception - Tools of Future-Making, Spaces, and Possibilities of Being. Metaphors of Internet - Ways of Being in the Age of Ubiquity (Peter Lang Press), Edited By Annette N. Markham and Katrin Tiidenberg.

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(2019). The Harkive Project - popular music reception, digital technologies, and data analysis. Helen Barlow and David Rowland (eds). The Experience of Listening to Music - Methodologies, Identities, Histories. Milton Keynes. The Open University, 2019.

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(2019). Popular music, digital technologies and data analysis - New methods and questions. Convergence: The International Journal for Research into New Media Technologies. Vol 25, Issue 2.

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(2016). The Harkive Project - Rethinking Music Consumption. Networking Knowledge: Journal of the MeCCSA Postgraduate Network, 9(5)..

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(2013). An example conference paper. In ICW.

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