Publications

(2023). Reconceiving spatiality and value in the live music industries in response to COVID-19. Remaking Culture and Music Spaces - Affects, Infrastructures, Futures.

PDF Cite Source Document

(2022). Birmingham and the International Business of Live Music in Times of COVID-19. Journal of World Popular Music, Equinox.

PDF Cite DOI

(2022). Brexit and the UK Live Music Industry. The Bloomsbury Handbook of Popular Music Policy.

PDF Cite DOI

(2022). Rate and review - Exploring listener motivations for engagement with music podcasts. Radio Journal:International Studies in Broadcast & Audio Media - Podcasting and Popular Music.

PDF Cite DOI

(2021). Crisis as a Catalyst for Change - COVID19, Spatiality and the UK Live Music Industry. The IASPM Journal.

PDF

(2021). The Harkive Project - Computational Analysis and Popular Music Reception. Music by Numbers The Use and Abuse of Statistics in the Music Industry.

PDF

(2021). Measuring the values of live music - methods, models and motivations. Arts and The Market.

PDF Cite DOI

(2021). COVID-19 and the UK Live Music Industry - A Crisis of Spatial Materiality. The Journal of Media Art Study and Theory.

PDF

(2020). Popular Music Reception - Tools of Future-Making, Spaces, and Possibilities of Being. Metaphors of Internet - Ways of Being in the Age of Ubiquity (Peter Lang Press), Edited By Annette N. Markham and Katrin Tiidenberg.

PDF DOI

(2019). The Harkive Project - popular music reception, digital technologies, and data analysis. Helen Barlow and David Rowland (eds). The Experience of Listening to Music - Methodologies, Identities, Histories. Milton Keynes. The Open University, 2019.

PDF DOI

(2019). Popular music, digital technologies and data analysis - New methods and questions. Convergence: The International Journal for Research into New Media Technologies. Vol 25, Issue 2.

PDF Cite DOI

(2016). The Harkive Project - Rethinking Music Consumption. Networking Knowledge: Journal of the MeCCSA Postgraduate Network, 9(5)..

PDF Cite DOI